Joking aside, it’s actually not. It was invented to explain why a particular group of captives were critical of the cops who arrested their captor — but it turns out it was because the cops were incredibly incompetent and nearly got them all killed.

https://en.wikipedia.org/wiki/Norrmalmstorg_robbery

So you hate women and don’t want them to have bodily autonomy? You see how that sounds? It’s the same logic as your argument.

If both of them support genocide, but one also supports banning abortion, the ethical choice is to vote for the one that won’t ban abortion.

If you’d rather wait until a candidate arrives that agrees with you on every issue, that’s fine, but you’ll probably never vote, and in the meantime, by not voting, supporting whichever candidate you like less.

While there’s no honor in the presidency, there is honor in doing what you can to reduce harm, and if you can’t reduce harm to the Palestinians, at least you can reduce harm to American women and girls.

Since there’s one open source that’s more strict and one that’s more permissive, for the more strict one, we should indicate that it’s like the value of a variable: it has a specific meaning that doesn’t change. With that understanding, Rogue Legacy is open source, but Trisquel is “open source”.

(I was going to go with Tux Kart instead of Trisquel for that joke, but my heart couldn’t handle throwing shade at Tux Kart.)

Edit: I’d just like to interject for a moment. What I’m referring to as Tux Kart, is in fact, SuperTuxKart, or as I’ve recently taken to calling it, Super+TuxKart

My journey was Windows-> Ubuntu -> Mint -> Fedora -> Arch.

(Infuriatingly i still use windows for gaming, but nothing else.)

Did i mention that i use arch?

More importantly:

fucked up all my data with no backup.

One time i messed up a script and accidentally copied 40,000 mp3s to the same filename. 20 years of music collecting, literally going back to Napster, all gone.

Well, not completely gone. I’ve got everything uploaded to iBroadcast, and I’m pretty sure i can download my library. But I’m not sure i deserve to.

Surely it’s because they want to increase the amount they pay the musicians.

If you like to upload your own music (like Google music), iBroadcast is the tippy tops. You can still use bandcamp (with or without yt-dlp) for discovery, and then upload what you like to iBroadcast.

iBroadcast is what i use. That plus rutracker and you can sail the high seas like it’s 1699.

Hi everyone, JP here. This person is making a reference to the Weird Al biopic, and if you haven’t seen it, you should.

Weird Al is an incredible person and has been through so much. I had no idea what a roller coaster his life has been! I always knew he was talented but i definitely didn’t know how strong he is.

His autobiography will go down in history as one of the most powerful and compelling and honest stories ever told. If you haven’t seen it, you really, really should.

ITT NO SPOILERS PLS

Me: Oh, I get it, this “Lemmy” website – it’s like The Onion but for nerds?

My fellow lemmings: No, they’re serious. run0 is real.

Me: Hah. The Onion, but for nerds! I love it.

The enumeration on the losing side of that debate is probably correct. But as a person who was in my early 20s in 2000, I’d like to offer what I will characterize as The Historical Context and Definitive Conclusion to This Debate.

No one actually gave a shit about that debate. Sure, it came up, but it did not alter anyone’s party planning. We weren’t actually celebrating the changing of the millennium, we were celebrating because we had a permission slip to do so. Any attempt to withdraw that permission was unwelcome.

In Paris on December 31st, 1999, at around 11pm local time, someone threw themselves in front of a metro. The trains were free that night (because it was the 100 year anniversary of their opening iirc), but because of that suicide, at least one of the train lines was substantially delayed. The streets from the center of the city to the north side were crowded well toward dawn as everyone chose to walk home instead of wait indefinitely in a stinky train station.

That person, who chose to end their life on the tracks that night, holds the core truth of the debate within his death: it’s a ridiculous debate and those who would fight for it should just stay the hell home and let the rest of us drink a lot and dance.

I intended to write that just as an intro paragraph to a critique of enlightenment philosophy, since I feel like, while the goal of objectifying the human experience was the natural predecessor to the eventual subjectification of the exterior universe, their confidence in their interpretations of their experience – or maybe just in the universality of their interpretations – makes their entire project a bit sus

But then life happened and I just said the thing about coffee.

Did you know that Kant used to criticize people who drank more than one cup of coffee per day. Also, he would refill his own coffee cup before it was empty, so he never had more than one cup.

You’re right, I’ll concede that – but only because BSG is an amazing show and very few characters can be reduced to “good” and “bad” – even the “antagonists” (in the traditional sense of those characters working against the stories’ progression) have pretty valid reasons for doing what they do.

Gaius (sp?) is one of the closest characters to “bad” – but not because of the bad things he does, but because of the bad things he is – ie, vain, selfish, etc – and the fact that he lets those negative characteristics drive his actions.

All the characters have flaws, but the “good” characters do their best to mitigate their flaws, and let their positive traits motivate them. For example, Adama often acts before he thinks, a trait that is awesome in combat, but can be less positive other times – and he (as best he can) seeks advice and counsel from the people he trusts (eg Saul Tigh) – he knows he can be impulsive and he knows his “instant judgement” decision making isn’t perfect.

Cavil (that’s his name I think) is close to “evil” but he does have reasons for his actions – preservation of his “species” (though really it’s just himself) – but he’s evil because of the fact that he doesn’t listen and acts with disloyalty and dishonor.

(There’s an amazing comeuppance for the titular character of the show Nathan Barley that epitomizes this idea: Barley doesn’t actually do anything wrong, but his motivations are repugnant, and his motivations are what’s revealed… Shit I should write a whole essay on that…)

Are there contemporary shows that are as good as BSG? I kind of gave up on TV after Firefly.

Cylons being manipulated by other cylons doesn’t absolve them of guilt.

BSG did have a few instances of the reverse of OP’s question tho – where the “good guys” turned out to be bad" – trying to say this without spoilers; it’s a 20 year old show but ffs of you haven’t seen it, go see it now.

• the (temporary) new admiral
• several main characters during the part where they live on the dirty planet
• a very specific set of seven main characters (wink wink) … .and more,…

And there’s one specific example of the full 360 – a character that starts good, turns bad, but turns out they were actually good all along. I won’t give the name, but they were passing messages to the resistance.

That show was awesome.

One note tho, on the topic generally: flipping character alignments is a frequent pre-shark-jump thing, and is often bad writing. In BSG, tho, all of the “flips” are pre-planned, or at least 100% true to their character (eg the 360 example above).

If only there was a way to talk about political ideology that indicated some kind of direction, then we could orient the data in such a way that the arrows went in the direction of that ideology.

I just wrote like a 10 page response to another comment on that same post I made so I don’t think I have the energy to go too deep on this - so, to keep it short:

1. I was just rebutting that person’s claim that a car and a digital object have the same relationship to value, and they don’t; physicality requires resources that “digitality” doesn’t.

2. I feel like you might’ve agreed with me in the second part? Or, if not, I think you managed to destabilize the entire data economy in like 2 sentences, so, fuck yeah.

First off, I was specifically addressing your concern about the car & it’s physicality. Value of physical objects is directly related to the scarcity of the resources; digital content pricing is skeuomorphic (sp?) at best and absolute bullshit at worst.

Surely the sale of that copy of the movie has value

Secondly (and thirdly in a sec), this is the fundamental misapprehension that surrounds piracy. Each instance of piracy does not mean one lost sale. In terms of music (I read a study about music piracy a few years ago), this is rarely the case, and in fact, it was the opposite: the study found that the albums that were pirated more resulted in more sales, since the album’s reach was extended.

Thirdly, one of the core issues with the entertainment industry at the moment is that the streaming services have no way to gauge the draw of a specific show, movie, or song, since subscribers just don’t approach their subscription that way - you don’t subscribe to Spotify because your want to hear Virtual Cold by Polvo; you subscribe because you want to have access to their entire collection, as well as all the other awesome 90s noise/math rock - even though, let’s be honest, you really just listen to Virtual Cold over and over.

As a result of this clusterfuck, streaming services can’t correctly apportion payment to their content - they do an elaborate split of the profits. So - the best way for the “content providers” (ie copyright holders) to increase profits is to reduce the amount of content on the streaming service - so the profits are spread over fewer titles.

This is massively hurting the production companies - please note none of these fuckers are getting any sympathy from me, this is just an explanation - they’re having a hard time finding a balance between how much they can spend given that half of their productions’ profits are pennies. (Oops, forgot one element: because of streaming tech, no one buys films in tape or DVD or whatever - which was half of a film’s profit.) Do they make a bunch of huge budget action movie sequels that fill the theater seats? Or do they make smaller-budget films with smaller profit margins?

It’s a shitty situation, and I don’t know what the answer is - but I know that the answer isn’t whatever the fuck this is. And, until they figure their shit out, I’m just going to step outside the market for a bit.

I’m not living in some dream world where piracy doesn’t reduce profits. I know that the underground bands that I like are usually supportive of piracy because it helps them more than it hurts - and when it comes to film and TV, when those companies complain about piracy , it’s just like those bullshit shoplifting claims - attempts to turn their “line not go up” on poor people. Piracy is a grain of sand in the Sahara - they have way bigger problems than that - though I do think increased piracy metrics might help encourage them in the right direction.

Anyway, if you got this far, I appreciate your time.

It’s got nothing to do with whether it’s physical. Cars are different from movies because the movie can be reproduced infinitely without resource cost (or, very minimal). If you steal a rental car, they have to buy a new one. If you pirate a movie, they haven’t lost anything.

I like this take - I read the refutation in the replies and I get that point, but consciousness as an illusion to rationalize stimulus response makes a lot of sense - especially because the reach of consciousness’s control is much more limited than it thinks it is. Literally copium.

When I was a teenager I read an Appleseed manga and it mentioned a tenet of Buddhism that I’ll never forget - though I’ve forgotten the name of the idea (and I’ve never heard anyone mention it in any other context, and while I’m not a Buddhist scholar, I have read a decent amount of Buddhist stuff)

There’s some concept in Japanese Buddhism that says that, while reality may be an illusion, the fact that we can agree on it, means that we can at least call it “real”

(Aka Japanese Buddhist describes copium)